I’m excited to share my conversation with Amy Dupcak, who is Editor in Chief of Cagibi Literary Journal.
We chat about Amy's writing background, from the moody poetry of adolescence to the publication of her short story collection dust, as well as some practical advice for submitting your work. Along the way, we discover our mutual appreciation for the novels of Vladimir Nabokov, including the book-nerd intricacies of Pale Fire.
See more about Cagibihere and more about Amy at her website.
A cagibi, from the spoken French, is versatile in its purpose: it may be a shed, a cubbyhole, a cupboard. It is a space to store tools or personal items for safekeeping: shovels, love letters, suitcases, pails, heirlooms, tchotchkes. It is a space too low for grown-ups but perfect for children to hide and play. It is that snug space under the stairs just large enough to fit a small writing desk. It is a space that isn’t quite a room, usually windowless, but also door-less, a space that is at once intimate and yet open to the world.
Cagibi is invested in sharing the universal human experiences to be found in works of prose and poetry set within places unfamiliar to readers; thus, our expressed interest in international—or world—literature, and works in translation. Cagibi is versatile in its purpose and mission to readers and writers. The journal concerns literature in which character conflict, ultimately story, is tied to place.
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